Major's Night is all about helping first-year students choose a major. On February 10, 4-7pm via Zoom/Brazen, the DSC will answer questions from students about their experience in Art History, and discuss various paths they may take. To attend or share material, email Taylor and Darcie at arth.dsc@asus.queensu.ca.
On the theme of "Art and the Anthropocene", the Graduate Visual Culture Association's annual Context & Meaning conference is set for January 28-29, 2022. This year's keynote speaker is Dr. Kirsty Robertson, 魅影直播 alumna and Professor of Contemporary Art and Director of Museum and Curatorial Studies at Western University. Dr. Robertson will give a talk on Friday, January 29 at 5pm.
Registration, conference program, and pre-discussion presentations are available at the .
This virtual conference is designed to allow international educators in the field of Cultural Heritage Science to showcase innovative teaching strategies, case studies, and laboratory exercises that they have found to be successful in their teaching, breaking boundaries in making science more relevant to students. The Final Program (5MB) is now available and includes the conference schedule, the abstracts of the eight speakers, and the titles for the poster presenters.
The conference is intended to elicit module contributions for the web-based resource Conservation Science Education Online (CSEO). Educators in different international locations have unique teaching challenges and therefore the educational materials need to be relevant and adaptable. Participants will present modules based on their unique methodologies for conveying complex topics to students. Attendees would then join the presenters for discussion and provide suggestions on how to improve modules prior to submission.
The conference will include pre-recorded presentations from both invited speakers and poster presenters, as well as the posters themselves. This material should be viewed before the conference, as the live sessions will be devoted to discussions of the invited talks and posters.
8:15-8:30 - Opening Remarks: Welcome & Introduction to CSEO
8:30-10:30 - Discussion Session 1 of Invited Panelists: Overarching Theme: Learning Scientific Language through Examples with Meaning
10:30-10:50 - Pause for Refreshments
10:50-13:00 - Discussion Session 1 of Poster Presenters: Overarching Theme: Finding Relatable Examples - Threshold Concepts, Teaching Methods, Research and Teaching to Non-Conservators
Day 2 (June 15)
8:30-8:35 - Opening Remarks: Welcome
8:35-10:35 - Discussion Session 2 of Invited Panelists: Overarching Theme: Theory to Practice - Engagement through Training
10:35-11:35 - Pause for Refreshments and Breakout Sessions
Day 3 (June 16)
8:30-8:35 - Opening Remarks: Welcome
8:35-10:35 - Discussion Session 2 of Poster Presenters: Overarching Theme: Shifts in Teaching and Self-Reflection - Social-Media, Pandemic, E-Learning and Teaching Strategies
10:35-10:55 - Pause for Refreshments
10:55-11:45 - Comments from Moderators and Closing Remarks
Invited Speakers
Giovanna Di Pietro, Professor, Department of Conservation of Works of Art, Bern University of the Arts, Switzerland.
Patricia Gonzales, Department of Science, Chemistry Section, Pontificia Universidad Cat贸lica del Per煤, Peru.
Maggi Loubser, Senior Lecturer and Coordinator, Tangible Heritage Conservation, University of Pretoria, South Africa.
Austin Nevin, Head of Conservation, Courtauld Institute of Art, UK.
Anupam Sah, Head of Art Conservation, Research, and Training, CSMVS Museum, Mumbai, India.
Arzu Sardarli, Professor of Physics and Mathematics, Indigenous Knowledge & Science, First Nations University of Canada, Canada.
Jana Sasakamoose, Master鈥檚 student, Indigenous Knowledge & Science, First Nations University of Canada, Canada.
Erich Uffelman, Bentley Professor of Chemistry, Department Head, Department of Chemistry and Biochemistry, Washington and Lee University, USA.
Shuya Wei, Professor, Institute of Cultural Heritage and History of Science & Technology, University of Science and Technology Beijing, China.
Clockwise from top left: Anupam Sah, Giovanna Di Pietro, Erich Uffelman, Patrician Gonzales, Shuya Wei, Jana Sasakamoose, Arzu Sardarli, Austin Nevin, and Maggi Loubser, the invited speakers for the 2022 CSEO conference.
Moderators
Edgar Casanova-Gonz谩lez, CONACyT Researcher, National Laboratory of Sciences for the Research and Conservation of Cultural Heritage, Universidad Nacional Aut贸noma de M茅xico, Mexico.
Laura Fuster L贸pez, Professor, Department of Conservation and Restoration of Cultural Heritage, Universitat Polit猫cnica de Val猫ncia, Spain.
Gregory Dale Smith, The Otto N. Frenzel III Senior Conservation Scientist, Indianapolis Museum of Art at Newfields, USA.
Maartje Stols-Witlox, Programme director and associate professor, Conservation and Restoration of Cultural Heritage, University of Amsterdam (UvA), the Netherlands.
(l-r) Edgar Casanova-Gonz谩lez, Laura Fuster L贸pez, Gregory Dale Smith, and Maartje Stols-Witlox, moderators of the 2022 CSEO conference.
Registering and Attending the Conference
The deadline for registering to attend the conference is June 1. There are no conference registration fees. If you wish to attend the conference, please register by emailing your name, title, affiliation, position, and if willing, your area of teaching in the field of Cultural Heritage to: CSEO@queensu.ca.
The conference participants registered so far come from around the world, as shown by the following map.
Organizers
Alison Murray, Associate Professor of Conservation Science, Queen鈥檚 University, Canada.
Rebecca Ploeger, Associate Professor of Conservation Science, Buffalo State College, USA.
Aaron Shugar, Andrew W. Mellon Professor of Conservation Science, Buffalo State College, USA.
Kyna Biggs, Conservation Scientist, Conservation Science and Preventive Conservation Department, Parks Canada, Canada.
(l-r) Alison Murray, Rebecca Ploeger, Aaron Shugar, and Kyna Biggs, organizers for the 2022 CSEO conference.
Major fields of interest: Late medieval and Early Modern sculptures from southern Italy; miracle-working images and image cults; sacred and devotional rituals; art and agency.
Graduate experience: M.A. in Art History, 魅影直播 (2023). Major Research Paper: The Smiling Madonna of the South: A case study on the Madonna del Sorriso and modern forms of devotion in Roccavivara, Italy.
Undergraduate experience: Concordia University, B.F.A in Art History & Studio Arts (2021); Concordia University, B.A in Western Society and Culture (2018).
Supervisor: Dr. Una D'Elia
What Is... Art Conservation? with Emy Kim
Date
Saturday February 5, 2022 1:00 pm - 2:30 pm
Location
Emy Kim, Assistant Professor, Artifacts Conservation, leads a Zoom talk on art conservation, presented by the Agnes Etherington Art Centre. Her talk focuses on the role of a museum conservator, conservation training, ethics, and more. Admission is free with registration.
Associate Professor Matthew Reeve is a joint recipient of a Historians of British Art Book Award for Exemplary Scholarship on the Period between 1600-1800 with his book, . Kate Fullagar also received an Award for her The Warrior, the Voyager, and the Artist: Three Lives in an Age of Empire.
Major Fields of Interest: Twentieth-century visual culture; art and design in the German-speaking world; fashion studies; material culture; illustration studies. Undergraduate Experience: Carthage College, BA, majors: German and Studio Art, minor: Art History (2016) Graduate Experience: University of Toronto, MA, Art History (2020) PhD thesis: 鈥淢asculine Fashion Culture in Post-war Germany: Reconstructing the Ideal Man through Illustration鈥 Supervisor: Dr. Allison Morehead and Dr. Elizabeth Otto (University at Buffalo)
Major Fields of Interest: Symbolism, Expressionism, Modernism, 19th鈥痗entury print culture and postermania, avant-gardism, and curatorial practice.鈥 Undergraduate Experience: 鈥疊.A.鈥疉rt History, University of Calgary. Graduate Experience: 鈥疢.A. Art History, University of Toronto. Dissertation Topic: Visual Representations of鈥疎schatological Fears and Millenarian Anxieties in Europe and鈥疦orth鈥疉merica鈥痜rom the late 19th鈥痶o the early 20th鈥痗entury. Supervisor: Dr. Allison Morehead
Major Fields of Interest: global modernisms, feminisms, curatorial practice, institutional critique, print culture. Undergraduate Experience: University of Toronto, B.A. (Honours), Major in Art History, Major in History (2007) Graduate Experience: University of Victoria, M.A., Art History (2010) Supervisor: Dr. Allison Morehead